Posts Tagged ‘drummer in a band’
71 seems to be a popular number this 2017 year for departed musicians…
Now, another powerful musician, drummer… Bartholomew Eugene Smith-Frost, aka: Frosty has moved on to the next musical dimension on April 12, 2017.
Ever since the day my face was melting after hearing Lee Michaels and Frosty play a small venue in Southern California in the late 60s, my appreciation for Frosty had never faded.
Be sure to treat yourself to some of the earlier work of Frosty and Lee (videos)… and of course, many of Frosty’s Austin bands.
(credit given Peter Blackstock via Austin 360 .com)
Born March 20, 1946, in Bellingham, Wash., Smith was raised in the Bay Area and also worked extensively in Los Angeles before relocating to Austin. He played on many of Austin’s biggest rock, country and blues records of the 1980s and ’90s, for artists including Alejandro Escovedo, Junior Brown, Roky Erickson, Butch Hancock, Marcia Ball, Tex Thomas, Doug Sahm & the Texas Mavericks, Toni Price, Guy Forsyth and Omar & the Howlers, among dozens of others…
Read More Here…
So, the question continues to come up amongst the drummer environment… ? “How do you clean chrome on your drums?”
Well, after some deep and exhaustive research I’ve discovered some very interesting and powerful conclusions from the professionals out there… Here are some specific ‘bullet point’ details regarding this subject matter…
You do not want any ‘spider webbing’ what-so-ever… learn how to prevent this and read on!
Only let your drum take a comfortable ‘bath’ and do not allow it to experience a rough treatment… for example…
- * Never Steel Wool to clean chrome drums.
- * Never Ever. Never dry wipe a dirty drum.
- * Never attempt to clean a dirty drum without a full, and careful disassembly.
- * Never follow a famous persons recommendation to use steel wool. (if you wait long enough, there WILL be one.)
- * Never use a power operated tool for disassembly or assembly.
- * Get the right tools for the job, in good condition, and don’t cheat.
- * Dawn (or equivalent) liquid dish soap is safe on chrome.
- * Stay away from rough fabric and use only soft cotton cloths.
- * After disassembly soak parts in a solution of Dawn (or any soft water suds maker) and water for several hours.
- * If the [your] shell has no paper tag or other badge that would be damaged by immersion, soak that also. If it does use damp cloths to saturate the grime on the shell, and then, once saturated, clean it.
- * Always ‘SAVE’ any provenance tags / originality!
- * Rinse to remove all residue, and dry.
- * For your parts… clean, rinse and dry. Then use your polish of choice… Meguire”s, Mother’s, Blue Magic, Flitz, and Never-Dull, are just a few brand names of products that are safe for chrome with no abrasive qualities!
- * Be sure your fastener threads are clean with any spall (look it up) – especially with thread cutting fasteners removed from the threads, and any residual removed from the lug bosses and other parts. Carefully start the screws so that no cross-threading occurs.
- * Do not over tighten anything!
And if the job is beyond one’s individual skill, please consider hiring a professional.
In the late 60s and early 70s Mott The Hoople was (of course) an English rock (with some glam slants) band that had R&B chops as their roots. They provided some very interesting and strong original sounds for sure.
Unfortunately for these old time rockers some of its original members have passed on…
Drummer Dale “Buffin” Griffin died January 2016 after being diagnosed with early-onset Alzheimer’s… And in January 2017 Mott the Hoople Bassist, Peter Overend Watts Died due to throat cancer.
Their radio cut, “All the Young Dudes” (written by David Bowie) will continue on as a mainstay of their cult rock music.
Here’s a video from one of their last concerts (via 2013) – and below you can read further about their career in a special blog released by By Nick DeRiso for Ultimate Classic Rock .com.
“Watts helped start the Buddies with Mick Ralphs, a band that evolved into Mott the Hoople after periods in which it was known as the Doc Thomas Group, the Shakedown Sound, then Silence. They became Mott the Hoople after Hunter joined in 1969.”…
In this article, Ringo Starr brings up some interesting facts. His first fact is really relative to his up-bringing in the ‘pre-digital’ music world. I can see his point to some degree, yet, this is the latest age we are living in and one must adjust.
Ringo’s second point was covered in one of our earlier blog post… It deals with the issue of ‘Pay to Play’. Now, you may already know that many venues these days, especially in highly competitive locals’, require bands to actually pay to gig live. Now, Ringo brings home to roost his take and complaint on how opening acts are treated these days… you might find it an interesting read…
Photo credit: www.mirror.co.uk / via:http://societyofrock.com
When asked about the conditions that new bands face when opening for certain artists such as Ringo Starr himself. “I go crazy, because if you want to open for a well-known band you have to pay; management makes you pay. Who is giving back? I did a Ringo tour once and had a local band at every gig open for us just to give them exposure. Nobody is helping anybody.”…
Read more about Ringo Star’s disposition here:
It appears that they just can’t keep this rock ‘n roll airplane crash story grounded. When Buddy Holly, The Big Bopper and Ritchie Valens fell from the sky in 1959, it was termed… “the day the music died.” After closing and re-opening the examination of this unfortunate event many times, it looks as though the governmental arm, National Transportation Safety Board, is about to once again investigate the surroundings that contributed to this case.
This article describes the circumstances regarding such.
(by Elaine Kauh for AvWeb.com)
The case of the storied 1959 Beech Bonanza crash that killed Buddy Holly, two fellow singers and the pilot could reopen at the request of a New England man who has his own theories about what happened on that February night. L. J. Coon, who describes himself as a retired pilot and aircraft dispatcher, has petitioned the NTSB to reopen the case based on his research indicating that something other than pilot inexperience and disorientation in IMC caused the crash…
As of this post Jimmy Page is just a tad over 70 years young and a master at ‘Re-Mastering’! Jimmy is doing (and had done) a marvelous job of taking their past sounds and re-packaging them into extreme dynamics… Be sure to dawn your headphones for this adventure!
(credit given to Led Zeppelin YouTube Channel)
From Led Zeppelin II (Deluxe Edition) – Led Zeppelin’s remastered second album will include additional companion audio with unreleased studio outtakes.
So, I found this thread (below) that has a wonderful discussion… ‘How long does it take to form a band?’ What I enjoyed about it was the fact that some of the essential elements of forming a band are detailed. eg., the biggest factor is if the forming band-member has a gig or more in the bag… as this does indeed contribute to experienced players paying attention to answering ads and to practice time…
I am currently in the process of recruiting 6 musicians for a new funk cover band. In two weeks, I have filled 2 of the 6 positions using my current contacts. Not a bad start, I suppose…
… read more here:
It’s got to be a gas to be in an arena with many hundreds of drums in all varieties and sounds… eg., full trap sets, snares, toms and big bass dudes!… Never knew about this event until this week… cool man, Drum On!
“They’re loud!” the Duvall boy shouted over his fellow musicians with a smile that stretched between his orange ear plugs.
The 2013 Woodstick Big Beat, in its 11th year, has been held in Tacoma some years, farther north in others.
It set the world record for the most drummers playing at once, with 533 in 2005 at CenturyLink Field in Seattle (Qwest Field at the time). A British charity broke that record last year when 798 drummers gathered in Manchester, England…
Would you consider the drummer the backbone of the band? Obviously, these statements could be applied to all instruments, but it is arguably more of a truism (in general) when applied to drummers. I have to give the drummer in a band credit for their, forever being a part of the groove… I mean, none stop involvement gives them an important position in the group’s partnership…
(By Erik Stams… Rhythm Magz. via Music Radar)
By providing secure time, dynamic intensity and the right feel a drummer can make a song come to life. Why else would producers continue to use live drummers when everything else is programmed?…