Posts Tagged ‘how to play bass guitar’

Paul McCartney Playing Live…

“Some of that natural reverb gets initiated by the stage sound itself, as things get pretty loud up there. Only Wickens wears in-ear monitors, as the rest of the band opts for Clair R4 sidefills and old-school Showco SRM wedges.”

That’s a quote from the interesting article that talks about the equipment used on Paul McCartney’s late 2017, eight night (3 hour gigs) mini-tour of New York City.

Many of us musicians understand what a good 3 hour show will take out of you… but, to do it eight nights in a row… that’s a damn workout!

Anyway, take a peak at this in-depth review of the type of gear Paul used on this mini-tour and discover some hidden secrets you probably didn’t know about.

Jam On!
-Ron

(Courtesy of ProSoundNetwork.com and

This article goes on to state…

“Watching a Paul McCartney concert is a lesson in irony. At their height, the 20-something Beatles played 45-minute sets, but 50-plus years later, at an age when most stars of his era are taking it easy, a Macca show clocks in at three hours.

As if to prove the point, Sir Paul did it over and over in September as he tore through eight sold-out shows around New York City, playing two nights a piece at Madison Square Garden; Brooklyn’s Barclays Center; across the Hudson River at Newark, NJ’s Prudential Center; and on Long Island at the newly refurbished NYCB Live Nassau Veterans Memorial Coliseum.”

Read More Here…

https://www.prosoundnetwork.com/live/paul-mccartney-tours-new-york-city-audio-sound-livesound-

Deep Purple Continues to Rock!…

Since its inception in 1968, Deep Purple (the band of course) continues to this day with ‘3’ core original members, inclusive of… Ian Paice on traps, Ian Gillin on vocals, and Roger Glover on Bass. And as of 1994 the wonderful ax-man, Steve Morse, joined the group. Ron Airey has picked up the keyboard duties hence the departure of previous keys man, Jon Lord.

In April (2017) Deep Purple has a brand new album titled Infinite coming out, and they will be touring shortly thereafter, what they’re dubbing, their Long Goodbye Tour.

This video spends some time with Ian Paice and Roger Glover and they further discuss the history of DP and their new projects… and, what could be their last road gig!

Jam On!
-Ron

(video and article via: Society Of Rock .com)

“There’s going to be a day in the not-so-far future when it is going to be ‘the last.’ That’s an emotional strain that I don’t think any one of us are brave enough to say ‘This is the date.’ But we are thinking… not thinking, we are realizing that time is creeping up every day that goes on, those numbers mount up. It’s inevitable…”

Read the rest of the article here –>
societyofrock.com/ian-paice-and-roger-glover-reveal-deep-purple-are-terrified-of-the-future-heres-why/

Remember Mott The Hoople?…

In the late 60s and early 70s Mott The Hoople was (of course) an English rock (with some glam slants) band that had R&B chops as their roots. They provided some very interesting and strong original sounds for sure.

Unfortunately for these old time rockers some of its original members have passed on…

Drummer Dale “Buffin” Griffin died January 2016 after being diagnosed with early-onset Alzheimer’s… And in January 2017 Mott the Hoople Bassist, Peter Overend Watts Died due to throat cancer.

Their radio cut, “All the Young Dudes” (written by David Bowie) will continue on as a mainstay of their cult rock music.

Here’s a video from one of their last concerts (via 2013) – and below you can read further about their career in a special blog released by By Nick DeRiso for Ultimate Classic Rock .com.

Jam On!
-Ron

 

“Watts helped start the Buddies with Mick Ralphs, a band that evolved into Mott the Hoople after periods in which it was known as the Doc Thomas Group, the Shakedown Sound, then Silence. They became Mott the Hoople after Hunter joined in 1969.”…

Ringo Starr Against Digital, For Supporting Opening Acts…

In this article, Ringo Starr brings up some interesting facts. His first fact is really relative to his up-bringing in the ‘pre-digital’ music world. I can see his point to some degree, yet, this is the latest age we are living in and one must adjust.

Ringo’s second point was covered in one of our earlier blog post… It deals with the issue of ‘Pay to Play’. Now, you may already know that many venues these days, especially in highly competitive locals’, require bands to actually pay to gig live. Now, Ringo brings home to roost his take and complaint on how opening acts are treated these days… you might find it an interesting read…

Jam On!
-Ron

Ringo-Starr-photo

Photo credit: www.mirror.co.uk / via:http://societyofrock.com

When asked about the conditions that new bands face when opening for certain artists such as Ringo Starr himself. “I go crazy, because if you want to open for a well-known band you have to pay; management makes you pay. Who is giving back? I did a Ringo tour once and had a local band at every gig open for us just to give them exposure. Nobody is helping anybody.”

Read more about Ringo Star’s disposition here:

http://societyofrock.com/ringo-starr-expresses-outrage-in-regards-to-the-bands-that-open-for-him/

Yes co-founder and bassist Chris Squire died…

On June 28, 2015 at the young age of 67, after a battle with leukemia, the rock band ‘Yes’ (and unfortunately for the music industry) lost it’s founding member and very influential bass player, Chris Squire.
A quote from this article mentions… “Despite their critics, ‘Yes’ clearly belongs in the Rock and Roll Hall of Fame. Their omission is one of the greatest injustices. They were on the voting list in 2013 but didn’t get in.”
Oh how the Rn’R H of F is missing out on one of the greatest rock bands of all. Anyway, I’m sure their board will come to their senses and finally include Yes in their deserved position.
Jam On!
-Ron

Chris-Squire-Yes

by via: theHuffingtonPost.com

“In describing the sound of Yes, Peter Keepnews of The New York Times said, “Yes, formed in 1968, was known for its blend of rock, jazz, folk and classical influences and also for its complex time signatures and pristine vocal harmonies. One of the first of the so-called progressive (or prog) rock bands — among the others were King Crimson and Emerson, Lake & Palmer — it went on to become the most successful and longest-lasting.”…

Read more here…
http://www.huffingtonpost.com/larry-atkins/the-sad-passing-of-chris_b_7707798.html

Jefferson Starship’s 50th Reunion…

Although Grace Slick won’t be attending, bass guitar player Jack Casady and guitarist Jorma Kaukonen, will be holding a one-time tribute celebration to commemorate the anniversary at this year’s Lockn’ music festival in Arrington, Virginia.
Jefferson (Airplane) Starship retains its roots in the San Francisco Bay area and are on the list of one of the classic 60’s rock bands.
This article provides more details on the reunion, sort-of-speak…
Jam On!
Ron Greene

<> at NJPAC – Prudential Hall on July 16, 2015 in Newark City.

<> at NJPAC – Prudential Hall on July 16, 2015 in Newark City.

By David Sands via; ForBassPlayersOnly.com

 
The Grateful Dead isn’t the only trailblazing psychedelic rock group hitting a mind-altering milestone this year. This fall, Jefferson Airplane will also be soaring into its 50th anniversary…

Read More Here…
http://forbassplayersonly.com/jefferson-airplane-members-to-hold-50th-anniversary-celebration/

Phil Lesh of the Grateful Dead Strikes a Deal in NY…

Phil Lesh of the Grateful Dead finds a home in New York

There comes a time when a road musician warrior like Phil Lesh, after close-to 50 years touring with the Dead, looks toward other options in order to keep his passion of music alive and, to continue his jamming for the fans of the Grateful Dead era. The details about his latest venture to keep the Dead music Alive are covered in this NY Times article…
Jam On!
-Ron

Phil-Lesh

(by Richard Perry/The New York Times)
Phil Lesh has logged countless miles on the road as the bassist of the Grateful Dead and, since the late 1990s, in various post-Dead ensembles. But at 73, he is looking for a change.

“I’m done with one-nighters,” he said before a Phil Lesh and Friends show on Friday at the Capitol Theater…”

Read more about the Phil Lesh deal here ->
http://www.nytimes.com/2013/11/04/arts/music/phil-lesh-a-grateful-dead-founder-strikes-promotion-deal.html?_r=0

Here's How They Work
Ron Greene Music Dials

Interview with Ron Greene

  • We’re Back!… Vinyl Records June 17, 2018
    Not to long ago I talked about the rise and fall of Tower Records and how the vinyl record industry had their days and then essentially died… well get ready because they’re back! Many of you vinyl aficionados already knew this was happening. The fact that pressed records remain dynamically pure and essentially a great […]
  • Recording Music In Your Living Room… June 12, 2018
    Having a studio in your own pad is great feeling. Being able to stroll over a couple of rooms and find yourself immersed in the comfortable surroundings of musical gear is a treat indeed. In an article from Billboard, Country singer, Tenille Townes, did a fair amount of her latest album using her living room […]
  • Gibson guitar company facing bankruptcy February 19, 2018
    If you’re like me you appreciate a good Gibson guitar. My favorite was a 1957 Les Paul Jr. single cut-away with a single P-90 pick up… it was a simple screamer! Now it appears that Gibson is in some sort of financial trouble and could be on the verge of bankruptcy after over 115 years […]
  • Paul McCartney Playing Live… December 26, 2017
    “Some of that natural reverb gets initiated by the stage sound itself, as things get pretty loud up there. Only Wickens wears in-ear monitors, as the rest of the band opts for Clair R4 sidefills and old-school Showco SRM wedges.” That’s a quote from the interesting article that talks about the equipment used on Paul […]
  • Guitar Legend John McLaughlin Retires December 15, 2017
    Jazz-rock legacy of the Mahavishnu Orchestra, John McLaughlin (age 75 at the time of this blog post) is retiring from touring. Many of us musicians have known John as an esoteric monster on the strings. His departure from mainstream songs to introspective nuance has been instrumental (no pun intended) in providing for insightful creative considerations […]